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Daily Deviation
Daily Deviation
August 23, 2008
I didn't think it was possible to write a good horror poem until I read After Life: To Hell, Not Back by ~SusurrusInGrass. The imagery is something to look out for, and lines like "Their skewed jaws ratchet from side to side/ Like tambourines" demonstrate the poet's focus on craft, and not merely content.
Featured by lovetodeviate
Literature Text
The Bodies are mangles of waxy bone and tendon.
Sinew drapes from them in bloody lines:
From the shoulders and yellowed knee-caps like meaty web;
And extend into the walls like shackles.
Through sewers squeaking, clicking, chomping
With rats- more sallow gashes than prickly hairs-
Scampering on the pipes that line, and gnawing sparks from
metal.
You notice first that this is large enough
For freaks on stilts to stand on brother's shoulders.
Twirled cotton- coating rolls of stiff carny papers-
Scrapes tongue like the roughest sandpapers and you drool,
like a toothless alky, dribbles of bloody sugar clumps for a
Candy taste
That tantalizes from the air.
The Bodies leer with eyes that quiver like Halloween Jell-o
In chipped eye sockets, revealed by skin dipping and
Stretched, pinned behind the ears.
Their skewed jaws ratchet from side to side
Like tambourines.
You avert your lucid eyes, though smile dazed,
And lift your nose for the Carmel-painted Popcorn, Red
Licorice, and Greases that oil every joint and disjoint of a
Ferris wheel.
You find that rumbling hunger can't be soothed
By the stench of sewer slop.
You walk past it all, skirting the slicks
Of rotted skin that puddle on the ground.
You want to see the golden sun
Crowning the edge of the distance.
Your fingers curl, messy with sweat.
Muscles wrench to lift yourself into the blue above; instead
You find peeling nails and lumpy shavings of burning tallow
And scream yourself back into the deep muck of sewer.
Sinew drapes from them in bloody lines:
From the shoulders and yellowed knee-caps like meaty web;
And extend into the walls like shackles.
Through sewers squeaking, clicking, chomping
With rats- more sallow gashes than prickly hairs-
Scampering on the pipes that line, and gnawing sparks from
metal.
You notice first that this is large enough
For freaks on stilts to stand on brother's shoulders.
Twirled cotton- coating rolls of stiff carny papers-
Scrapes tongue like the roughest sandpapers and you drool,
like a toothless alky, dribbles of bloody sugar clumps for a
Candy taste
That tantalizes from the air.
The Bodies leer with eyes that quiver like Halloween Jell-o
In chipped eye sockets, revealed by skin dipping and
Stretched, pinned behind the ears.
Their skewed jaws ratchet from side to side
Like tambourines.
You avert your lucid eyes, though smile dazed,
And lift your nose for the Carmel-painted Popcorn, Red
Licorice, and Greases that oil every joint and disjoint of a
Ferris wheel.
You find that rumbling hunger can't be soothed
By the stench of sewer slop.
You walk past it all, skirting the slicks
Of rotted skin that puddle on the ground.
You want to see the golden sun
Crowning the edge of the distance.
Your fingers curl, messy with sweat.
Muscles wrench to lift yourself into the blue above; instead
You find peeling nails and lumpy shavings of burning tallow
And scream yourself back into the deep muck of sewer.
Literature
gestalt
I hope this is more than inebriated romance.
I watch you in the diner.
I'm always watching, through mirrors, through doorways, seeing you and seeing me and knowing we're reflections of the same hypocrisy; I'm outside the television, this tellingvision, I'm disconnected, broken, the nerve between me and the rest of existence is strained and I see beyond your charades. I'm on the outside of the window, our interactions are equivocal, ambiguous, filtered and muted. My reality is a drunk prism, and your reality is an insane labyrinth of pattern, schedule, and bullshit.
The coffee at dinner makes remnants of the vodka at breakfast taste l
Literature
I have loved you...
---
part I.
In another time, I may have been your late night
confessionary, a Parisian whore to your
gentle hands and overwhelming needs. I could see us
touching, desperately
touching
loving each other without knowing names.
We are at times both romantic enough, and tragic
enough, for that.
And if I was not full of sin enough
to beckon your fingers to my skin, perhaps I
was only a girl you met for
un café au lait. You laid
your hand over mine beneath autumnal arbres, and we
made small talk about the world. Perhaps;
we are masters at making love with strangers. And you
and I
Literature
The Fuguist
Jonah hated Mars. He hated everything about it. Every minute he spent there he was plagued by a vague feeling of unrest: Mars was not quite foreign, not quite familiar, an endless mirage or coma dream. Maybe he was dead, and maybe this was purgatory. Sometimes he considered praying at night, asking for forgiveness, just in case, for whatever sin might have banished him there, but then he looked out over the barren, forsaken wasteland and thought his time was much better spent sleeping, or walking.
But he hated how soft the ground was, how little clouds of dust exploded under his soles with every step, and how he could turn around and see his
Suggested Collections
I think this is quite an accomplishment for someone high on the drug of sleep-deprivation. I wrote this for an assignment in my CW class. They told me I was twisted!
Written: 9-17-06
*The fact that I jump-start this account with a poem about... well, you'll see... says quite a lot about my character.
*THANKS SO MUCH TO EVERYONE WHO FAVORITED THIS, THERE WERE JUST TOO MANY TO THANK PERSONALLY!*
Written: 9-17-06
*The fact that I jump-start this account with a poem about... well, you'll see... says quite a lot about my character.
*THANKS SO MUCH TO EVERYONE WHO FAVORITED THIS, THERE WERE JUST TOO MANY TO THANK PERSONALLY!*
© 2006 - 2024 SusurrusInGrass
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You are a twisted genious! Instant fav!